Never Trust a Matchmaking Witch

Hi Everyone,

Life is crazy but wonderful right now. I've just signed the contract with Siren Bookstrand Publishing for my novella Never Trust a Matchmaking Witch, which will be released January, 2009.

I’ve always believed the world of horses is magical. It’s been a lot of fun taking it one step further and creating some actual magic in my fictional horse world. In Never Trust a Matchmaking Witch the question is: What happens when a fun-loving group of witches start a new hobby — matchmaking for their mortal friends? Of course, the setting is a very beautiful equestrian facility where the owner/trainer has a plethora of talents, including witchcraft. It’s a given that her horses and even her barn cat have some magical abilities of their own.

Here’s a sneak peek:

Susan has some amazing fantasies about Dr. Brad Conway. Unfortunately, when she’s anywhere near the handsome surgeon, she’s a tongue-tied catastrophe. Along comes Brad’s friend Alicia, a horse trainer with a talent for magic and matchmaking. Trapped at Alicia’s home during an ice storm, Susan is thrilled to be on the receiving end of some fascinating, sensual advances from Brad. When she keeps encountering magical occurrences like a wolf-whistling cabinet, spoons stirring by themselves and a cat with an unerring ability to appear and disappear, not to mention change its own collar, she must decide if she believes in magic. But believing has a downside, because now she has a new problem to consider. Is Brad’s passion for her real or is it part of a spell?

I’ve had such a wonderful time creating the stories A Dangerous Dream and Never Trust a Matchmaking Witch. It seems my love of the horse world has taken flight in a new direction—onto the pages of my books! Hmmm…in my fictional world my characters can even consistently stay balanced in their half-seat (unlike me, for whom that remains an elusive dream). Not that all those hours jumping cavaletti without stirrups or reins wasn’t fun, but I suppose I can let my characters skip that part!

Happy Riding, everybody! Hope you’re all enjoying your summer!

Cheers,
Mary

Ride into magic and mystery with novelist Mary Paine
www.marypaine.com

Life's unexpected twists and turns

Okay, I write a lot about being a horse mom, but I believe this moment pretty much defines it. I'm sitting outside the ring during my daughter's lesson, writing my blog draft on the inside front cover of a dinosaur coloring book. I've always heard when inspiration strikes a writer forages for any handy piece of paper. For an equestrian author, this often involves scribbling on horse show schedules or the paper used to keep kids occupied in between rides.

I'm looking over at my daughter sitting straight and tall, leg at the appropriate angle, for all the world defining what is meant by a natural seat. As young as she is her talent is already far outshining mine, so I'm sure I'll be scribbling on horse related paper for many years to come. At the moment I'm balancing writing and watching her for support without distracting her. Stopping in the middle of her lesson to wave at Mommy probably isn't on her instructor's list of things to do today! Of course, the fact my little girl laughs out loud sometimes with happiness while she's riding isn't on the instructor's list either, but it always makes her smile.

The fact that Susan, the heroine of my new novella (Never Trust a Matchmaking Witch), shares many of these experiences, makes her near and dear to my heart. Of course, just to make things even more interesting, I added a magical horse with a mischievous sense of humor and a head trainer who happens to be a witch. Toss in Susan trying to overcome a fear of horses to help her horse-crazy niece and her secret passion for handsome boarder Brad Conway and we have a recipe for a wild ride!

Here's a sneak peek:

Susan wrinkled her nose at the smell as she dragged the muck bucket, a large plastic bucket filled with soiled bedding, across the brick aisle of the beautiful barn. The stalls gleamed with a high finish on dark wood and were light-filled and airy. The building exuded an aura of class befitting the wealthy clientèle who boarded their horses here.

Leaving the bucket a few feet outside Jake’s stall door, she opened it and tentatively stepped inside. A large brown jumper stared her down.

“Now, look,” she said firmly. “We each have a job to do here.”

Alicia had told her that Jake, the horse now eyeing her with obvious evil intent, was just testing her. Unfortunately, his tests involved much stamping of his huge feet and dancing around while she tried to clean his stall.

“Okay, buddy.” Susan gathered her courage. “If you don’t behave this time I’ll have to take you out on the cross-ties while I clean your stall. Then you won’t have any hay to munch.” Susan planted her hands on her hips.

Susan and Jake continued to eye each other. Finally, Jake snorted with a shake of his head and returned to his hay. Triumphant, Susan turned to go back for the pitchfork and the bucket. A bump from Jake in the center of her back made her lose her balance. Flailing, she grabbed for the wall of the stall before landing spread-eagled across the bucket, which was now in the middle of the stall.

“Um, can I help you?” Dr Bradley Conway peered in the stall where she lay flapping like a fish out of water as she struggled to rise.

He placed one arm under her belly and her muscles tightened in response. He gripped her upper arm with his other hand and gently pulled. This can’t be happening, she thought as Dr. Conway gallantly levered her up onto her feet. He gently deposited her outside the stall and reached back in to tug the bucket through.

“Thank you.” Susan desperately wished the floor would open up and swallow her, but no such luck.

“No problem,” he hefted the bucket easily and deposited it in the corner. “I’m used to it.”

“You clean stalls?” Susan asked incredulously, and then bit her lip.

“Well, not lately, but as a kid I did plenty of them. Want some help?”

“Oh, no. I can handle it. Uh, how’s Jen doing in her lesson?”

“Alicia’s working her and Ritchie over a gymnastic. She’s loving it.”

“A gymnastic? Isn’t that the wrong sport?”

“Not in this case.” He laughed and she noticed deep creases by the sides of his mouth. He was too manly by far to have dimples. “Come look,” he added.

He placed a hand briefly at the small of her back to urge her forward. Just a common courtesy, Susan told herself as a warm tingle flowed through her core and down her arms. She preceded him through the wide doorway to the indoor riding arena.

Together they climbed the bleachers that lined one wall and were separated from the riding area by a low wall.

Casting about for something to say, Susan’s eyes lit on the ceramic owls set in the rafters in the four corners of the barn. “Interesting decoration.”

“What is?” Brad asked.

“Those,” Susan pointed at the nearest owl.

Looking where she indicated, Brad said “Ah, those aren’t decoration.”

“They’re not?” Susan frowned at them.

“Nope. The plan is to scare other birds out of here.”

“Why would we want to do that?”

“Well, cleaning up after them isn’t a fun job.”

“Oh.” Knowing the odds of her being the one doing the cleaning, Susan looked back gratefully at the owls, then blinked. They had moved. Hadn’t they? They were in the center of each wall instead of the corners.

“Is anything wrong?” Brad was looking at her closely.

“No. Nothing.” Susan looked again. The owls were in the corners of the barn. I really have been working too hard, Susan thought. She glanced at the owls again and one winked at her.

Susan jumped sideways against Brad’s shoulder.

“Are you sure you’re okay?” His arm came around her.

“Fine. Thanks. Um. . . do those owls have any moving parts?”

“I don’t think so.” Brad frowned at the owls.

“I just thought, you know, to scare the birds, they might have them move or something.”

“I’ve never heard of it, but good idea, though.” Brad grinned at her. “You should send the idea in to a horse magazine. Barn owners everywhere would be thanking you.”

“I’ll think about it.” Susan smiled back at him, forgetting the owls as she got lost in his warm hazel eyes. She must have just imagined the wink.

“See those?” His thigh brushed hers as he leaned forward to point toward the center of the ring.

Susan nodded, noting Jen astride the trotting Ritchie before looking to the area he indicated. Three jumps in relatively close succession were set up down the far side of the ring. The first was a cross rail fence Jen was used to jumping, followed by a straight rail that looked a little larger than what she was used to. It was the height of the last fence which had Susan sitting forward in alarm. “Jen’s not going to jump those three, is she?”

“Sure. That’s the gymnastic.”

Susan stared at Brad, all inhibitions lost. “How high is that last fence?”

“Well,” Brad considered a moment, “I’d say about two-nine to three feet.”

“What!” Susan jumped off the bench. “Jen’s never jumped that height before.”

“Relax, Susan. She’ll be fine.” Brad tugged her back down on the bench beside him. “Alicia knows what she’s doing. That’s the whole purpose of a gymnastic. The horse is set up correctly to jump so the rider can focus on her balance and strength over fences.”

“What if she loses her balance?” Susan’s small fingers gripped her knee.

“She’ll be fine. Alicia has the jumps spaced to be easy for Ritchie. This way Jen can focus on her position. Watch.” Gently Brad pried Susan’s fingers off her leg and held them loosely in his hand. Even through her agitation Susan’s body reacted to his touch and she glanced down at their joined hands before Alicia’s voice jerked her attention back to the drama at hand.

Hope you enjoyed this snipped from Never Trust a Matchmaking Witch. I had so much fun with this story! BTW, my daughter secretly organized the barn staff and other parents to sing Happy Birthday to me. I've just been serenaded. Even the horses looked attentive, if a bit confused. Sometimes we horse moms do get some unexpected rewards!

All the best,
Mary

www.marypaine.com

A Sense of Accomplishment and a Big Cheer

Hi everyone,

I am so excited to have finished my novella, Never Steal from a Leprechaun. It centers around a wonderful equestrian facility owned by a charming witch. She has an assortment of delightful, magical friends who help create an unforgettable evening for Susan Mallory and her niece Jennifer. When they’re trapped on the farm by an ice storm on St Patrick’s Day, Jennifer is delighted to spend an evening at her favorite place on the planet—a horse farm.

Susan is not quite as thrilled. Trapped with them is Dr. Brad Conway, the very handsome, brilliant surgeon to whom she’s been afraid even to say hello. By the end of the evening they do much more than say hello while Susan learns there are many kinds of magic in the world.

My magical moment this week was the sense of accomplishment which comes with completing a story that’s been milling around in my head for months. The characters poke and prod at me and I’m forever getting ideas for scenes and running to grab any scrap of paper to write them down on. Since I’m sometimes chasing my two year old twins at the same time, I have all sorts of notes written in crayon on the corner of various coloring books. Since my kids are as horse crazy as I am, sometimes I’m writing on pages from horse coloring books, which at least goes with the theme of my writing!

I’ve had similar moments of accomplishment on the back of a horse, usually with dint of much effort. My wonderful Topper was a very talented hunter, for example, but really resisted going in a frame. We always cleaned up in jumper classes, but flat classes were a challenge.

The first trainer I had with Topper told me he simply wouldn’t go on the bit and that was that. She was encouraging me to think of Topper as my transition horse and think about selling him. When I moved to a second, more advanced trainer, he took the statement that Topper would never go on the bit as throwing down the gauntlet and we were off and running. I remember he would be schooling Topper, holding him in a perfect frame while I stood enviously by wondering what miracle had just occurred and how I was ever going to replicate it. This talented trainer also had a wicked sense of humor and would chant in mimicry of Topper’s expression ‘I hate my life, I hate my life’ while Topper was having to arch and move correctly. Topper did look awe-inspiring and I was determined to accomplish this task.

Many months of sweat-filled labor followed, and I never achieved the same ease as my trainer, but there were those blissful moments when Topper would come together for me and we had that amazing union of horse and rider that makes all the work in the world worthwhile.

Topper and I had always had that wonderful chemistry over fences, but the hard work it took to achieve a flowing partnership on the flat made the accomplishment all the sweeter.

Never Steal from a Leprechaun started with all these ideas in my head, but pulling it together on paper was a challenge. The work my characters put me through was reminiscent of the hours my trainer spent with Topper and me. Bend and counter-bend was invading my dreams while I learned to put Topper on the bit and recently my dreams have been invaded with cheerful antics by leprechauns and witches that I rose at odd hours to work at bringing to life on the page. The reward is here now with a completed story I hope you will all enjoy. More info to come and in the meantime happy riding!

Cheers,
Mary

www.marypaine.com

A Touch of Whimsy

One of the best aspects of a life lived with horses are the unexpected moments of laugh out loud fun. I’m currently working on a novella celebrating the whimsical side of the horse world. In this work I’m vastly enjoying creating two central characters: Jennifer, a horse crazy eleven year old and her Aunt Susan, who adores Jennifer as much as she fears horses.

When an opportunity comes to gain lessons for Jennifer and a free lease in exchange for working in a local trainer’s barn, Susan gathers her courage and faces her fears. Along the way she makes a few turnkey mistakes, including standing too close to the ring on a muddy day, turning her back on a mischievous lesson horse while a muck bucket is in front of her and trying to convince a mulish mare to move when the horse in question has something else in mind. Of course, the incredibly handsome man boarding at the facility happens to run into her when she has the scent of her misadventures wafting off her and bits and pieces clinging to her hair and clothes.

In creating this story I spent some time thinking about my mother’s role as horse mom. She loves me very much but is definitely not a natural horse person. Although the fear is real her heart is in the right place, as when we were shopping for a horse one cold day. We were considering one who didn’t have a blanket. Mom wanted to go out and buy him one whether we purchased the horse or not. In fact, she fretted about him all evening. For all her warmth and generosity, she was terrified when she was up close and personal with horses. My horse Topper used to love to nuzzle her if he was on the cross-ties and she was sitting on a tack box near enough. Her response was generally “Umm…good boy,” as she scooted out of reach. Since my husband and I didn’t have children at the time, I tried to convince her Topper was sort of like a grandchild, which earned him presents and an occasional pat from a very nervous hand.

Still, love came first and she hung in with me through all the years with horses. One day when I was about eleven I approached a jump from an impossible angle and my poor horse stopped at the base. I, unfortunately, did not stop but managed to grab his neck on my way off. I hung on and careened in a perfect one-hundred eighty degree arc to land on my feet facing his chest with my arms still wrapped around his neck! I figured Mom would be biting her nails, but when I looked over she was sitting on the hood of her car laughing her head off. Of course, so was everyone else at the sight of my long skinny legs sailing through the air and the bewildered look on my mount’s and my faces as we stood facing each other. If he could speak the horse would have said “Dear, you’re supposed to face the other way.” My fictional Jennifer and her aunt have the same experience—I just had to put it in there.

To further the touch of whimsy, the novella takes place on St. Patrick’s Day, which fits in perfectly with the wonderful myths and legends about horses. Of course, for fun I added a leprechaun and some lovable witches, one of whom owns the facility. A talented horse trainer, she keeps her magical interests to herself until one fateful evening. When Susan and Jennifer, along with the very handsome boarder who has his eye on Susan, are trapped at the farm during an ice storm, they encounter this cheerful magical crew planning their Spring Equinox celebration. The chaos is enhanced by a power outage and a thief conspiring to steal a rare Faberge egg. The results are romantic and hilarious!

Now all I need is a great title—not one of my strong suits. In fact, if anyone would like to suggest a title, just put your suggestion in the comments area. I'll pick a winner one week from today and give an autographed copy of A Dangerous Dream away as the prize.

Happy riding.

All the best,
Mary

www.marypaine.com

What a Character!

by Toni Leland

The second most-asked question a writer hears is, "Are your characters real people?" OR, "Am I in your book?"

Any author in their right mind would answer a resounding "NO!" and dodge any further fishing expeditions but, I for one, have to admit that my characters are based on real people, albeit composites that I sculpt to fit the story. And I'm reasonably sure that even the person or persons I use in the formula would not know themselves. Human nature being what it is, though, close acquaintances are always positive they'll see a clue to the identity of my story people. Therein lies the perfect setting for either a lawsuit or a family feud!

Quite a few years ago, a writer published a book that was set in one of the big-breed industries. The writing was not stellar, but the industry itself was fascinating and, of course, anyone connected with it had to buy that book to see if they were in the story. At the height of the book's short-lived popularity, at horse shows it was such fun to lurk around groups of trainers and owners to eavesdrop on their conversations about who, exactly, the author was describing. And, in truth, this author hadn't camouflaged the "real models" very well, so everyone had it figured out within a few months of the book's release.

Writing a fictional tale requires, first, an excellent plot that will keep the reader turning the pages. Then, interesting and engaging characters must make the plot come alive. When Avid Reader begins a book, he or she wants to identify with the hero or heroine ("protagonist" in writer speak). As authors, we must build a character with a believable background, a believable personality, and believable goals. And we have to effectively present this story person to Avid Reader in the first few pages, or we've lost our audience.

Here's another version of the characters question: "Is your main character really you?" This one's tough because every writer puts a little or a lot of themselves into the story line and the characters. For instance, I'm terrified of large dogs, allergic to bee stings, and always on a diet. These tendencies or quirks do often show up in some of my characters. They just appear—I don't plan to use them. But the fact I've loved horses all my life is the biggest "me" trait that I instill in my characters, and I do that on purpose!

What kinds of story people do YOU enjoy most?

'Til next time....
Toni

http://www.tonileland.com

Read an excerpt from DEADLY HERITAGE now!

A Lifetime with Horses

Hi everyone,

Through all the years I’ve been a rider my skill level has increased, but oddly enough, the height of the jumps keeps going down. I remember as a child pointing whichever horse I was riding at a jump with exhilarated abandon. The cross-country course at my neighborhood barn growing up had a stone wall with a 3 foot drop on one side, large fallen trees set up as jumps, and tight turns including one low hanging branch I remember running into and seeing stars! Still, I found cross-country a joyful excursion.

I will never forget Richie, the barn owner’s old hunter. He was a gentle, very willing fellow who took excellent care of me. Some of my happiest memories are of jumping around on Richie, grooming him until the poor fellow probably though his coat would fall out, or just standing with him in his stall. I would stroke his nose and cuddle the wonderful guy who kept me safe when my whims took us over jumps of a size which make my heart bump in my chest when I think of them now.

In young adulthood, when I had funds to buy my own horse and could train more extensively, I found a growing reluctance to take the big fences. I loved the closed in setting of the sand ring and happily did all the necessary flat work, gridwork, and small courses necessary to build my skill level. However, when my trainer would hoist the rails up, I felt a tightening in my stomach which had never been there in childhood. With the knowledge and experience of adulthood had come fear. Useful, certainly, in some of life’s situations, but not in a lesson where the trainer’s voice ruled and a very solid looking jump loomed before me. Still, I jumped and in time would adjust to a new height. I was lucky, too, that both my horses had talent to bail Mom out when the nerves took over!

Now with three small children, I don’t find nearly the time I would like for riding, but have moments in my day where I wish for the wonderful sensation of a horse beneath me and the calm joy of feeling that togetherness with an equine friend. At the same time, the thought of jumping and training, as essential as breathing through most of my adulthood, doesn’t hold the same thrill it always had. I’m happy just to be around a barn, grooming a pony for my daughter to ride, or hacking in the ring on a quiet fellow just for relaxation. Perhaps this change has to do with the knowledge that our crazy household would barely survive Mommy in a cast, or perhaps it’s just the natural changes life brings, but I’ve changed nonetheless.

What hasn’t changed is the serenity I feel being around horses, writing about them, and sharing the joy of the horse world with my daughter. Life does unerringly move on, and growth and change are inevitable, but I’m fortunate to be able to use my memories and experiences to bring life and depth to my stories. I may no longer ride with the abandon of youth, but some of my characters do. If I’m currently identifying with my more, shall we say, seasoned characters, that’s alright. The flavor of a lifetime of experiences adds its own spice to my day, and hopefully to my writing.

Happy trails, whichever path you and your mount choose to take!

All the best,

Mary

www.marypaine.com

Driven

A peculiar thing happens to writers. Not immediately, you understand. But as we learn our craft and smooth the rough spots, the rhythms of writing start to become second nature. Then, suddenly, we find ourselves unable to read fiction or watch a movie without applying every tidbit we've gleaned from myriad how-to books, magazine articles, workshops, and conferences.

This may not seem like a big thing, but for me, the phenomenon comes close to obsessive. Imagine a family member's reaction when I groan about a story I'm reading: "Why did the author do that? It's not in character!" Or I turn and smile knowingly at my husband: "Did you see the way the screenwriter used foreshadowing?" or "Right there--that was the second turning point!"

But this is not a bad thing. The very fact that we as writers recognize the structure, symbolism, and end intent of another's work proves that we are growing--absorbing the sweat equity of those who have clawed their way to the top of the cliff and hoisted themselves over. A reward, if you will.

Every craft has its weirdness, and it takes a certain amount of "hermit-ness" to stay the course. But behind the drive to become published, a thought hovers in the back of every writer's mind as he or she reads a bestseller or watches a great movie--I can do this.

And do it, we do. At a full gallop! Romance and horses? You bet--horse people fall in love just like everyone else. And it takes a special kind of person to understand and absorb the routine and the dedication to caring for our beloved horses. Perhaps taking a backseat to this passion is the true test of a prospective suitor's mettle!

Horses and mystery. What a fabulous combination of forces that opens up endless possibilities for intrigue; suspense and edge-of-your-seat thrillers flourish in high-stakes areas of the horse industry. Just look at Dick Francis. Think those are only mysteries? Not on your spurs! I held my breath through every one of his books, always too close to the danger.

Add to these genres any one of the many issues that horse owners face and you have unique plots and characters that appeal to even the reader with only a passing interest in horses.

We write horse fiction because we love horses, we have to write, and we believe the two are a match made in heaven.

Tell us--what are your favorite romance, mystery, or thriller plots where horses reign? (no pun intended) What did you love? What "caught" you and held you captive through the story?

Until next time, keep those heels down.

Toni
http://www.tonileland.com

Heroes and Horses

by Kit Ehrman

The protagonist or hero of a story is one of the most important elements a fiction author must deal with, one that deserves a great deal of forethought and consideration.

When I set out to write my first mystery, AT RISK, on July 22, 1996 (yes, I actually remember the date) I already had the opening scene in mind. What I needed was a character to tell the story. A hero.



First off, I decided that my hero would be a guy, in part, because I like guys and, secondly, because much of the fiction that I’d been reading featured male protagonists. I grew up reading Sherlock Holmes and George Bagby, and later, I fell in love with Dick Francis’s equine novels. And my perception at the time, flawed as it may have been, was that guys had a lot more freedom, took more chances, and were more exciting than . . . well, me.

Then there was the fact that I wanted a lot of freedom writing this character. I didn’t want him to resemble me too closely because I suspected I might feel inhibited if I thought the reader was thinking: this is who the author is.

So, I took a chance, bucked the tradition of women writing female protagonists, and developed barn manager and amateur sleuth Steve Cline. Without realizing it, I bucked another tradition by writing a very young protagonist at a time when older sleuths were the norm. His youth (he’s 21 in AT RISK) was actually trickier than nailing the guy thing.

While I was working through the first drafts of AT RISK and the opening chapters of DEAD MAN’S TOUCH, I took two writing courses offered by Writers’ Digest magazine’s Novel Writing Workshop. Both times, I requested a male instructor and was lucky to be paired with Steven Havill and William G. Tapply. Havill writes a police procedural series set in New Mexico, featuring Undersheriff Bill Gastner, and Tapply’s series features Boston estate attorney Brady Coyne. Both men, along with my husband, were a tremendous help and quick to point out when I got it wrong!

So, who is Steve? To make him more complex and interesting and real for the reader, I gave him personal issues to deal with along with the story problem. He grew up in a wealthy but emotionally distant family with two older siblings. He attended a private school and spent many of his summers “at camp” because his parents were too busy to parent. Despite the excessive wealth, his relationship with them was damaging, and eventually Steve becomes estranged from them when he leaves college to work in the horse industry. Many of the choices he makes, including his penchant for risk-taking, are linked to his strained relationship with his father and a subconscious need to prove himself.

Steve has been so much fun to write. He’s young, reckless, flawed, but also principled. At times, he seems real.

Speaking about real, many of the horses I’ve known and loved, or have just worked with, have found themselves in the pages of my books. A troubled horse in AT RISK, Cut to the Chase, a.k.a. Chase, is modeled after a horse who used to be boarded at a hunter/jumper farm where I worked. The real Chase, whose official name escapes me, was an open jumper: a huge seventeen hand, coppery chestnut gelding with a lot of white on his legs. The barn crew used to affectionately call him “Jaws” because he loved to nip his handlers. What fascinated me about the real Chase was the fact that, though ornery when handled from the ground, he was a sweetheart under saddle. He was a gorgeous, fluid mover and a truly gifted jumper.

What has surprised me most about my fictional horses is the way they magically come to life, seemingly on their own. One of my favorites is Russian Roulette. He’s a character in DEAD MAN’S TOUCH and TRIPLE CROSS.



I didn’t intentionally model him after any horse from my past, but he came to life nonetheless. Here’s a brief excerpt from TRIPLE CROSS when Steve is getting ready to go talk to the police and wondering whether he'll be free to leave once he meets them:

I gathered my trash together, left it sitting on the tack trunk, and walked over to Ruskie’s stall. He poked his head over the stall guard before curling his neck around to nuzzle my waist. I hooked my arm across his neck and smoothed my hand down his face. Resting my forehead against his mane, I breathed deeply, inhaling the indescribable blended odors: his skin, his sleek chestnut coat, the sweet smell of his breath, all combined with the mix of straw and hay, and I was reminded of the generations of horses who had passed through this barn. Derby runners, most of them.

Ruskie was uncharacteristically still, and I wondered if he sensed the tension fizzing in my nerves and pressing against my skull like a bad headache.

I had no guarantee I’d be here tomorrow. None at all.

He lipped the thin belt keeper at my waist, then smoothed his muscular lips along my belt. Knowing that a nip was likely next on his agenda, I straightened.

I stopped at Storm’s stall and patted him, told him to be a good boy, and when I turned around, Jay said, “What? No hug for me?”

I grinned and told him to wish me luck.

-----------

Here are a couple photos of the actual Derby Barn at Churchill Downs that I took while researching TRIPLE CROSS:


This is the Derby Barn. Note the press. They are everywhere.





“The horse: friendship without envy, beauty without vanity, nobility without conceit, a willing partner, yet, no slave.” ~ Anon

Cheers,
Kit
www.kitehrman.com