by Laura Crum
Even
though this site is dedicated to both the craft of writing and horses, I
usually stick to posts about my horses here, mostly because I love to write
about horses. The very reason I got started writing my mystery series was
because I wanted to write about my life with horses. But the other day a friend
who is participating in the “National Novel Writing Month” (I can never
remember the acronym-- NaNo something) asked me how I managed to “get through”
twelve whole novels. This made me think a bit. And then I wrote the following
post. So here you go, some writing about writing.
I think I’m entitled to say my
mystery series is “long-running” at twelve books, yes? In any case, I did have
some thoughts about what I consciously did to get through twelve books
featuring one protagonist and her cast of friends and critters…without getting
bored with her. And even more importantly, without (hopefully) causing my
readers to get bored with her.
I
have to admit that a lot of my thoughts are concerned with what I DIDN’T want
to do, based, sadly, on things I had observed in other series. And the first
thing I determined was that I would not keep writing the series into infinity,
even if I was highly successful with it (fortunately this was never a problem).
Too many series trickle to a sad end after their former glory, and it is quite
clear that no one, including the author, had much interest in the last three or
four books. This was a fate I decided to avoid. From the very beginning, I set
a goal of writing a dozen books, which seemed to me to be a goodly amount, and
planned to quit when they were accomplished. (Oh, and by the way, I came up
with this plan long before JK Rowling announced there would be only seven books
in the Harry Potter series. No, I am not comparing myself to JK Rowling, but
neither was/am I imitating her. I do think it’s a good concept…and
incidentally, I loved the Harry Potter books.)
I
did not know, to begin with, exactly what would happen in each of these dozen
books I meant to write, but I did sketch them out many books in advance. I had
the titles neatly listed out. And before I got around to the last three or four
books, I knew what they would be about and how they would round out and
complete my series.
Because
I wanted my twelve book series to have a “form” as a whole, as one super-long
story about a particular woman and her life with horses. And for this to happen, I needed
to be clear how the series would end, and lead up to that ending appropriately.
Another
thing I was clear about is that my protagonist would change and grow throughout
the series. If there is one thing I don’t care for in a series, it is the
device of keeping the protagonist in the same “place” for book after book. You
know, that place where she has a romantic interest that hasn’t quite come to
fruition. Because, of course, that is the easiest phase of life to write about.
All that glorious sexual tension, but you don’t have to deal with the actual
bedroom. No messy details to work out concerning how your heroine can remain
independently solving mysteries and still be a good partner. Yep, it is SO
tempting to just stall your protagonist out in that one handy romantic space
and leave her there for book after book. And a great many authors do exactly
this.
I’m
sorry, but that seriously doesn’t work for me, no matter how talented the author
and engaging the books. If I am reading a series, I want the thing as a whole
to be going somewhere. To that end I was clear that my protagonist would change
and grow. Grow older for one thing. Go through some major life changes, for
another.
In
order to make this work I kept careful track of the chronology of the stories.
My horse vet is thirty-one in the first book, Cutter, and just beginning her
career. She ages one year per book for the first ten books, which gets her to
forty. At this fine age I presented her with a baby. (And yep, it was seriously
challenging to create exciting mystery plots wrapped up with first pregnancy
and then a nursing baby, and yep, some former fans did not care for my turning
my vet into a mom. The battle lines seemed clearly drawn between those who were
parents themselves and liked this development, and those who weren’t parents
and didn’t. But if there’s one thing I know about writing, it’s that you can’t
please everybody and its best to please yourself. However, I digress.) In the
last two books, Going, Gone and Barnstorming, I allowed five years to pass
between stories, thus effectively getting my gal to fifty, which was more or
less my age when I wrote the last book.
The
whole thing fit together nicely. The series covers twenty years in the life of
one woman, and I spent twenty years of my life writing it. The series begins
with a thirtyish protagonist, and I was thirty when I started the first book.
It ends with us both being fifty. Throughout the books I gave “Gail” many of
the life changes that I went through myself, which kept the books interesting
to me, and (I think) gave the ring of truth to her various adventures.
Another
thing I did to keep the series interesting was to take on a different aspect of
the horse world in each book. Horses were the main theme of the books, and,
since horses are a main theme in my life, I wanted to stick to that. But I did
not want to write about the same things over and over. Fortunately I have done
a lot of different things with horses in my life, so the books ranged through
cutting horses and western show horses to ranching and roping and horse packing
and breaking a colt…etc. I tried not to repeat myself in either the horse
aspect or the plot.
I
characterized each plot with a theme. There is the “noble villain” and the
“murder for greed,” the “murder for jealousy” and the “crazy serial killer.”
You get the idea. Once again, I tried not to repeat myself.
I
also tried to show Gail aging. She is described differently as the books go
along, and her way of thinking changes. In this I was aided by the fact that I
was aging right along with her. So in the earlier books she is much more
interested in clothes and what people look like physically than she is in the
later books. In the course of the series she goes through a breakup and a
depression as well as finding a life partner and having a child and raising
him. At the end of the series, she contemplates retirement. I’d say I put her
through quite the gamut of life changes. And that’s exactly what I set out to
do from the beginning.
So
there are a few ideas I used to create my (reasonably) long running series. I’d
be interested to hear what you like and don’t like to see in a series
character, or a series in general. And I’m happy to try to answer any questions
about how I structured either the individual novels or the series.
And, in more book news, here is a link to a really fun
review of my third mystery novel, Roughstock, by Dom, of A Collection of Madcap
Escapades, listed on the sidebar. Dom is a fine writer herself and a horse
trainer by trade, so her review tickles me. I think she gives a great idea of
what the book is like. The Kindle edition of Roughstock is available for just
$2.99. So if the review makes you want to read the book, here’s a link to get
it for less than three dollars.
(The first two books in the series, Cutter and Hoofprints,
are currently at 99 cents, so here is your chance to get the first three books
in the series for just under five dollars. A great Xmas present for anyone who
likes horses, mysteries, and reading on Kindle.)
