A New Writing Project

                                                by Laura Crum

             After giving myself a couple of years of breathing space since turning out twelve mystery novels in my series featuring an equine vet, I’ve finally settled in to my new writing project. I felt pretty sure I was done with writing mysteries. I knew I wanted to write a memoir, but I wasn’t sure what the point would be. I didn’t want to waffle on about my memories, I wanted to target some unique aspect of life that I was fitted to convey. Uhmm, it took awhile to work this out.

            In the meantime I wrote a brief memoir in a series of blog posts here on Equestrian Ink, about my life with horses. This piece of work ties into my mystery series and essentially gives the background from whence the books sprang—forty years of owning, training, competing and just sharing my life with horses. It was lots of fun to write and it will be up on Kindle shortly (as soon as I get the cover worked out) as a 99 cent special.

            Since then, I read a book (The Ocean at the End of the Lane by Neil Gaiman) that clarified for me the subjects that I really want to write about now. And that would be life, death, magic, old spirits and God. Not that I have the skill to write about these things. But I have the desire. I am quite sure that my memoir will fall far short of Neil Gaiman’s wonderful book, but that’s OK.

            So I’ve begun, and I am really enjoying writing the book I want to write, constrained by no one’s concepts but my own. To tell the truth, I have grown quite tired of concocting a crime and then a plot that contains just enough excitement…etc. I am interested in writing the truth as I see it, whether or not it pleases anyone else.

            One of my friends asked if I would try to sell this upcoming book. I laughed. Because one of the things I am done with is trying to sell a publisher on my work, and I’m also pretty sure that this book will not appeal to a publisher. It doesn’t fit any popular niche. But…

            Because of Amazon and Kindle, I can put my memoir up myself, and because my backlist has a steadily growing readership, there are probably readers who will buy my new work. So yes, in a sense, I will sell my book.

            I have heard of authors who deplore this new system, and I have to ask: What is it you don’t like? What is bad about getting a 70% royalty on every book sold? What is not to like about getting a check every month that pays for the groceries? I have never been anything other than a mid-list author, and I am still a mid-list author, but for the first time in my writing career, my books are bringing in a steady, useful income. What is bad about that?

           In a past post I've discussed the fact that authors whose work was chosen for publication by traditional publishing, as my books were, tend to feel a bit chagrined when self published authors want to claim the same bragging rights. It is sort of as if you went through the years of vet school and finally hung out your shingle, only to find a self-proclaimed vet next door, one who had never gone to vet school at all. However the discussion that resulted from that post clarified for me the basic fact that yes, anyone can publish a book on Kindle and call themselves an author. But in the end what counts is whether one can sell books on Kindle. Self published or traditionally published isn’t the bottom line. Does anyone want to buy/read your books is the bottom line. In my example of the self proclaimed vet, what really counts in the end is whether or not he/she is a good and effective vet. And if the years show that she is, well then, the traditionally schooled vet, if she isn’t too defensive, will just have to admit that her self-proclaimed comrade in medicine is all right. Which is exactly how I feel about all the self-published authors out there. Hey, if you are good to read, more power to you. And if you are not, well, I think the sales record will make this clear in time.  As for me, I am very grateful that sales of my books on Kindle have steadily continued to bring in useful money, and very happy to have a system that actually rewards authors for their work.

            So yes, my memoir will eventually be for sale on Kindle, and I hope that some of the fans of my mystery series will buy this book. And if many of you wish I would return to writing mysteries, rather than memoirs, well, I understand. I’m glad that you’ve enjoyed my mysteries, and those of you who have reviewed them on Amazon have my deepest gratitude. Because these same fans have rated most of my backlist between four and five stars, and been a big help in increasing my grocery money every month.

So today I’d like to say thank you to every reader who has reviewed my books on Amazon. I really appreciate you. If, just by chance, you have enjoyed my mysteries and haven’t yet posted a review, all I can say is that these reviews on Amazon are terribly important to authors nowadays. Every single positive review is appreciated…and I think that this is true for every author out there. If you can find time in your busy day to post a review (and I know it’s a pesky sort of chore), you have my gratitude.

I know many of you who read this blog are authors yourselves, and I would be interested to hear if any of you, like me, have reached a point where you are determined to write the book you want to write, rather than fitting your writing into a niche. Though I do understand that fitting a niche is, by and large, how you can bring in the grocery money, and there’s nothing wrong with that. Any thoughts?

It's a Maybe: The Retired Racehorse Book

Sometimes I think that my greatest talent is coming up with awesome ideas and then sticking them on the back-burner until I have "time." (As if "time" were something I was ever going to possess, to clench in my fist, to cackle a villainous laugh over. I've got you at last, Time! Probably not.)

Stuck on my backburner I have various art projects (what to do with that charming little Sam Savitt paperback before it decays entirely? Something amazing. I'll look it up later), an entire manuscript imaginatively named The Eventing Novel (I'll completely rewrite that eventually), and, most annoyingly of all, the Retired Racehorse book.

I've been planning the Retired Racehorse book since the day I started Retired Racehorse Blog. You might know it, a little WordPress project that made me moderately Internet Famous amongst a small proportion of Thoroughbred enthusiasts and got me a lot of Facebook friends. (Hi Facebook friends! xo) I meant to just keep training Off-Track Thoroughbreds and blog about their training as I went, and eventually put it all into a lovely retraining manual, since it can be difficult to consult a blog before you go out to ride.

YOU PROMISED ME A BOOK

But it spun all out of proportion and somehow I ended up a writer in New York City. I attribute this development directly to Retired Racehorse Blog, and I still want to write the book, out of appreciation, at the very least! The blog deserves its book!

The problem, of course, is that I'm not training horses anymore, and I can't just make up fixes for problems. I don't have a set curriculum for a horse. I'm not Natalie Keller Reinert Horsemanship MasterClass, Inc. My blog posts were mentally composed as I was riding, thinking through the problems that the horse was presenting me as I tried to trace them to their roots in his early training as a racehorse.

And then yesterday I was in the basement of the Strand Bookstore, which is one of my favorite places to be (certainly it's my favorite basement) and I found a gorgeous little vintage hardcover of Ahlerich: The Making of a Dressage World Champion, by Reiner Klimke. It's basically a detailed—incredibly detailed—training diary of one of the most wonderful dressage teams we've ever seen. Just wonderful.

I didn't buy it, because it was $40 and my price limit for books is closer to $1.

But it did remind me that I had a perfectly good diary of training a retired racehorse from racetrack to amateur eventer in five months, and I really ought to pull the Retired Racehorse Book off that back-burner.

Except I still really don't have time.

And then today I saw a WordPress plug-in called Anthologize, which is supposed to make your blog into a book automagically, and I thought, this is the sign! I'll do it today! 

But then I read the instructions, and it doesn't work on WordPress.com hosted blogs. (i.e. dot wordpress dot com blogs, aka free blogs.)

So I pulled out my hair for a few minutes (it's really long and I can spare a few strands) and then took a deep breath. I'll still do the Retired Racehorse Book. Just not at this exact moment. When I have time.

What do you want from a Writing Career?

Last week a wonderful writer friend of mine came to town and spoke to my writers' group. She talked about writing careers and options availble to writers. Here are some of her thoughts and mine on writing in the current economy and the future of ebooks.

Most writers aspire to see their books in a bookstore and published by a big New York publishing house like Simon and Schuster or Harper-Collins. With the increased proliferaiton of small presses who focus on epublishing, there are more options than ever before. Unfortunately, there is also a snobbery toward these small presses and a prevailing attitude that if you aren't published with big house, you're not really published. Add to that a lot of confusion between being self-published and being published by a small press.

Over the past few years, I've watched fellow writers get a NY contract only to be dropped after their first couple books because they didn't make enough money for their publisher. Most of these authors were unintentionally "setup" by their publishers for failure. They were given small print runs, next to no marketing dollars, and very poor distribution. Once the publisher drops them, other big presses are reluctant to give them a chance.

If you're considering a writing career, especially writing equestrian fiction, don't discount the small press option. It's extremely difficult for debut authors to make it with bigger publishers in this economy. Also, if you're thinking of writing as a good way to quit your day job, don't quit yet. Advances are getting smaller and smaller as are print runs for debut authors. I've heard the average NY advance in romance fiction is in the $2000 to $6000 range right now. The earn out can be as little a $6000 a book, and you'll wait upwards of a year or two to get your royalty check.

It's not my intention to discourage aspiring writers, I just want you to be realistic about your goals. Most of us write because we have to give life to the stories in our heads. We can't NOT write. It's as necessary as breathing. If you're one of those people, you need to ask yourself some serious questions.

What are your writing goals?

• Do you want to make money and write full-time? This is possible but you'll need to be prolific. Most writers are midlist and the only way to make a living as a midlist author is to publish 2-4 books a year. They say it takes about ten books to build a name and a following.
• Are your readers more important than the money? Do you write because you love sharing your stories with others and the money is secondary? Are you trying to reach a niche of readers who like to read what you write?
• Do you write to convey a message or emotions to your readers? Do you write about overcoming obstacles and bettering your life? Do your characters struggle but keep their hope and eventually triumph? Do your books contain a lesson? Such as good conquers evil? Is it this lesson you wish to share with your readers and inspire them?

All of the above questions should be considered when you pursue a writing career. For me, I work a full-time job in which I make enough money I will not be quiting my day job to write full time. Realistically, I know I couldn't keep up with the NY pace and pressure to produce and market yourself. I've chosen to stay with small presses because most of my books don't appeal to mass market publishers. They appeal to a niche group of readers. I don't write about vampires of werewolves, both of which are currently hot with NY romance pubs.

All in all, when you're considering publishing don't discount small presses. Check them out carefully and make sure they're legitimate. They shouldn't ask for any money from you to publish your book. If they do, they're essentially "self-publishers." They should provide editing, cover art, and distribution free of charge to their authors. I have a a really good series on my Jami Davenport blog on writing for small presses that you might want to check out.

Whatever you decide to do, remember to hang in there and keep trying, Perserverance wins in publishing.

Next weekend, I'm participating in a equestrain pilates clinic. It should be interesting. I'll try to remember to take pictures and notes for my next post.

The Road to Publication con't. . . .

by Kit Ehrman

During my “Road to Publication” post on January 27th, I mentioned that I’d provide some specific pointers and ask some hard questions for those looking to get published.

What follows is a list I compiled and saved in an email draft because I receive so many queries from writers who want advice on how they can break in. One question (complaint, really) that I hear time and again is: “How can an agent or editor make a decision about my work based solely on a one-page query letter? They won’t know how well I can write unless they read the whole manuscript?”

Believe me; I understand this sentiment and sympathize with the writer’s frustration, but once you look at the other side of the equation—what it’s like to be the gatekeeper—you can see the validity of the “query only” limitation that is often part of the submission process.

A query letter serves the purpose of letting the agent or agent’s reader know if the project is something they’re interested in pursuing; therefore, it has to be extremely well written.

Editors and agents are swamped with submissions so, imagine if you will, the office receiving 200+ manuscripts a week instead of 200+ query letters. Query letters are a necessary evil of the publishing business because the competition is so fierce.

There are many things every writer can and should do to improve her odds. Ask yourself:

Editing
• Have you edited the manuscript many, many times?
• Have you studied the rules of grammar? (You need to understand them before you can break them for effect.)
• Have you learned the industry’s conventions such as proper manuscript format?
• Has your manuscript been through an objective critique group?
• Have you hired a professional freelance editor to give you input? (Get references if you go this route.)
• Have you had a lot of readers, who are familiar with the genre you’re writing in, read the manuscript and give you feedback?
• Is the manuscript as perfect as you can possibly make it?



The Query Letter
• Have you attempted to get writing credits to include in your query letter by entering contests or publishing short stories in genre-specific magazines?
• Have you studied what should go in a query letter?
• Have you polished your query letter ruthlessly?
• Have you shared different versions of your query letter with your critique group to see which one is most effective?
• Have you studied books on querying agents? (The Sell Your Novel Toolkit by Lyons is a good one. So is a book by Kathryn Sands about making the perfect pitch.)



Selecting An Agent
• Have you researched possible agents carefully?
• Do you know how to select the right agent for you?
• Have you looked through the acknowledgements pages of books similar to yours so you can determine agents who like the kind of thing your write? Oftentimes, an author will thank his or her agent in the acknowledgements.
• Have you gone to writing conferences where you can verbally pitch your book to agents?
• Check out a website called Predators and Editors that lists agents to avoid.

Acting Professional
• Have you joined the organizations relevant to the genre you’re writing in so you can become familiar with the publishing industry?
• Have you attended conferences in order to network with other writers, authors, and industry professionals?

I highly recommend that you go to Miss Snark’s website. She’s a New York literary agent. This site is no longer active, but there’s a wealth of information here. Beginning with this link, you can see how she evaluates the hook in a query. What gets her interest, etc. This is very insightful for seeing what works and what doesn’t. Here’s the link where the hook evaluation begins: http://misssnark.blogspot.com/2006_12_10_archive.html. Also, search this website because you’ll find a lot of useful information about the industry in general.

It takes talent, luck, and perseverance to get published. The best way to deal with the query process is to start on the next book while you’re doing it so you don’t become obsessed or depressed by the process. And you’ll be glad you have another book that’s partly done when you do get published, because once you are, you’ll have to promote the first book while you’re writing the second.

Good luck!
Kit Ehrman
www.kitehrman.com

Road to Publication . . .

by Kit Ehrman

Nothing in my past would ever have hinted at my becoming a published author. Nothing . . .

I didn’t particularly like writing. I still remember a supposedly “spooky-scary” story that I wrote for a ninth grade creative writing class. It had a decent opening—heavy fog moving in off the ocean and a feeling of doom—and, well, that’s as far as I got. My teacher scrawled “Where’s the ending?” on the top of the page. A technical writing class in college further confirmed that writing was not fun and not for me.

When I think about it, I wasn’t even a voracious reader, but I did become a fan of mysteries, and I’m sure that’s where every writer’s journey begins. Somehow, I skipped over Nancy Drew, the Hardy boys, and Agatha Christie. My introduction to mystery came with the incomparable Sherlock Holmes followed by an obscure collection of George Bagby mysteries that I devoured, and finally my discovery of Dick Francis in 1977. Though I had no inkling of the momentous nature of this event—finding my first Francis, a Reader’s Digest edition of IN THE FRAME—I was taking my first step toward becoming an author.

After reading IN THE FRAME, I read every Francis published at the time, quit the government job I was working, and went to work on a horse farm. That job was followed by stints at the track, delivering foals on breeding farms, returning to college to become a vet assistant, and more horse jobs.

Flash forward twenty-some years. I was a stay-at-home mom with three boys, ages three, four, and five. I had two horses of my own and some borders in the barn. Reading was a pleasant release from my daily routine, and of course, I gravitated to mysteries.

On July 22, 1996, I was nearing the end of a mystery, and I was disappointed with the decisions the author made in letting her protagonist do something that I thought was so stupid in an obvious effort to push the story into an exciting climax. I decided I could do better.

So, why did I think I could do it? This sounds kind of weird, but when I would read, especially a Francis novel, I’d wake up with his voice running in my head. I know. Weird, right? But I had full confidence in myself, and when I began writing, I couldn’t turn it off. I was so thrilled. Those early months of discovering a story were the best I’ve ever had in this business. I was infatuated. Enthralled. I was God of the world I was creating, and I was having so much fun.

I completed the initial draft of AT RISK in three months. As usual, I threw myself into the project and studied tons of books on writing . . . took classes . . . joined a critique group. Because I was exploring the process and essentially teaching myself to write, the early draft was way too cumbersome. I spent the next two years tightening and revising AT RISK (I’d estimate the manuscript went through twenty complete revisions) before I decided to market it. Even so, I began marketing before the manuscript was ready, but when it was ready, it was picked up by Poisoned Pen Press, the second largest publisher of mysteries in the country. And it went on to be extremely well reviewed, including a review in The New York Times. Visit my AT RISK website page.



Like Laura said, getting published depends on both luck and perseverance . . . and skill. If I hadn’t kept revising and improving the manuscript, if I hadn’t been afraid to make changes and put substantial time and effort into the project, the manuscript never would have been picked up. Luck comes into play in finding a receptive reader, because writing and voice and subject matter and the actual execution of the work are all so subjective. Timing’s important, too. If the publisher had just released an equine mystery, they’d be unlikely to look at another so soon.

The publishing climate was different in the ‘90s, too. I couldn’t decide whether I wanted to query agents or editors, so I queried both and found a publisher before I found an agent. Interestingly enough, on the whole, the rejections I received from editors were much nicer than the ones I got from agents. In today’s market, though, more and more publishers are closing their doors to submissions from writers, preferring agents to perform a vetting service first. And it’s getting harder to break in and harder to stay in the game once you are published. Despite the seemingly dire publishing climate, readers still need new books to read. Agents still need to pick up new clients. Editors still need to acquire new manuscripts, so don’t give up.

Next time, I’ll post some specific pointers and ask some hard questions for those looking to get published.

Happy reading and riding!
Kit Ehrman
www.kitehrman.com

Publishing Opportunities for Equestrian Fiction

It's come to my attention recently, that many of our readers have an interest in writing equestrian fiction. So my post this week is about publishing equestrian fiction. As you may have noticed, the large New York publishers consider equestrian fiction a bad risk, insisting it doesn't sell well (unless you wrote the next Horse Whisperer) so small presses might be a good option for an aspiring author.

First of all, you need to understand some terminology, such as small press, large press, vanity press, and print on demand. In the interests of saving space, I posted this terminology on my author blog.

We'd all love to sell to a large publisher with a huge advance and be on Good Morning America and Oprah. The chances of that happening are slim to none. So you wrote a book and now you want find a home for it. Let's assume you're not interested in self-publishing. Let's also assume you've tried the large publisher route or truly believe you aren't ready for the big-time yet.

Should you consider a small press or e-publisher and why? Here are some of the pros and cons of small presses to help you make your decision:

Pros (What working with a small press can do for you):

• Provide a viable option for books that don’t fit into a New York niche. (Small pubs can afford to take risks). Equestrian fiction definitely fits into this.
• Gain valuable experience (which can look good to a large publisher).
• Learn to promote your book and yourself.
• Gain experience working with editors and publishers on professional duties such as cover art and edits.
• Prove you can meet deadlines.
• Provide encouragement to finish the book and write more books.
• Build name recognition the publishing business.
• Improve writing and editing skills.
• Reduce the number of discarded and destroyed paperbacks. GO GREEN!
• Make valuable contacts with other authors and the book publishing industry.
• Build confidence in your writing.
• Enjoy less pressure.
• Enjoy more creative freedom.
• May receive more personal attention from publisher and staff.
• Easier to find your books, longer “shelf” life, don’t go out of print.

Cons (What working with a small press can't do):

• Low pay and royalties, in most cases, considering the time investment by the author.
  Risky if the small press isn’t stable and established. (But then NY is risky as editors move around and lines close all the time. They may tie up book for a few years and never publish it.
• Time-consuming, as you often perform the tasks that large publishers would do for you, such as promotion, blurbs, cover art suggestions, etc.
• Lower quality of editing in some cases.
• Limited chance for book to be in bookstore.
• Requires extensive research of different companies. (Not all small presses are created equal in royalties, editing, and business practices. Talk to authors, do a background check, search the Internet)
• Limited possibilities for booksignings.
• A smaller market of people to buy your book.
• Limited distribution on your book.
• Lack of respect in many circles.
• Limited reviews—may be harder to get reviews

If you are considering the small publisher route, do your research. Check out that publisher carefully. I actually paid for a business background check on the company and the owners to make sure they were stable. Anyone with an Internet connection can start up and small publishing company, so beware. Make sure they send their books to distributors and don't just sell via their bookstore. Find out if the book will be offered in print. Make sure the contract offers clauses to get your rights back if the company folds. Also, email some of their current authors and make sure you like their covers.

I hope this has helped some of you that are considering taking your writing to the next step. I'll be running a more detailed "workshop" on small pubs on my blog in the next few weeks. So you can check there for more information.

BTW, I had a GREAT ride on my mare yesterday. My trainer is out of town so I had a lesson from the assistant trainer. I enjoyed it immensely. Sometimes, it's good to get a different eye. Anyway, I'm excited to ride again. I haven't felt like this a while.

One Road to Publication

by Mary Paine

Happy New Year!

I’ve seen in the comments section of Equestrian Ink that people are interested in how we got started as authors. My path to publication was windy to say the least. I always had a love for writing and music. I was editor in chief of my high school newspaper, worked on the literary magazine, was active in the choral and drama clubs…Well, you get the idea.

By chance I had an opportunity high school to volunteer at our local hospital and a job in the emergency room followed. Fate is funny, right? I abandoned my intrinsic leanings toward all things artistic and decided health care was the career for me. My father, despite the cost of eleven years of music lessons, was determined to be supportive, although I’m sure he had a mental picture of all those dollars spent on my music sprouting little wings and flying out the window.

I did, and still do, love the health care industry. I earned a bachelor’s degree in nursing, a master’s degree in epidemiology and was working toward my doctorate when fate stepped in again. The research I had been working on for more than two years lost its funding source and I was informed I would have to start over with a new research project for my doctorate.

Disillusioned to say the least, and not sure we would be staying in the United States as my husband had taken a position with a British company, I took a job doing research for a medical communications company. My boss decided I had a flair for writing and nurtured it. (Hmm…seeing something circular here?) I wound up building a career in medical editing and informatics and before I knew it I was running a large editorial division of a medical communications company.

Still, in my heart I had always yearned to write fiction. The next questions was what kind of fiction did I want to write and how do I get started. Since I was on bed rest with a twin pregnancy, I had lots of time on my hands so I started in writing a novel that wouldn’t require a great deal of research (since I was mostly restricted to the four walls of my room) so I came up with the idea for an equestrian novel, since I know the horse world inside out. The next thing I realized was people want something to hold their interest. Well, I figured romance always holds my interest and mystery comes in a close second. Thus, A Dangerous Dream was born.

Having a completed novel in my hand, my next question was ‘Now what?’ Being a researcher by training, I took to the Internet. I discovered Romance Writers of America, became involved with the organization and learned how long the road was between writing your first book and publishing it. There were a number of routes people took. Some started with smaller e-publishers. Others continued to refine their work to aim it at New York. My husband came up with a good solution for me. He pointed out how much I’d learned from A Dangerous Dream. He said if I published it with a small publisher, wouldn’t I continue to learn from it?

I couldn’t argue with the logic of this. I sent off two query letters to reputable e-publishers and got a contract offer! The experience of publishing was invaluable. I learned a great deal about marketing, promotion, and the importance of developing a ‘platform.’ I also had the opportunity to interact with many wonderful professionals in this industry and begin to build a network.

The best surprise of all was the positive reviews I received for A Dangerous Dream! Praise is a marvelous thing and the knowledge that people enjoy reading my books gave me the incentive to keep going. I’m working on my third novel now and can’t imagine ever stopping.

So for anyone out there who is working on a novel or has completed one and is seeking publication, keep going! You’ll get there!

Warmly,
Mary


www.marypaine.com

Crunch Time

Hi Everyone,

I'm delighted to say I've been sticking to my diet and exercise plan and (drum roll, please) have lost 2 pounds. I do miss my old starve yourself for two weeks and it's all over diet, but I'm sticking to the 'have patience and keep it off' plan.

Right now the urge to a) not diet and b) chuck work and go for a nice autumn hack are knocking at the back of my mind, mostly because it's crunch time with my next book coming out December 3. Before I became a published author I thought you wrote the book, sold it to a publisher and voila, people bought it.

Oh, I was so wrong. Writing the book was the easy part. Of course, when I'm writing a book about horses my imagination takes over and it's a joyous adventure unfolding on the pages. This book, NEVER TRUST A MATCHMAKING WITCH, was especially fun to write because I including magic and comedy in the mix. My witch is an accomplished horsewoman whose hobby is matchmaking for her mortal friends and she's very good at it. She's also extremely wealthy and I had a lot of fun creating the barn of my dreams. The horses in NEVER TRUST A MATCHMAKING WITCH live in an equine version of The Ritz.

Now for the hard part. After polishing a book to a gleam and selling it, the next steps is editing. The book you love comes back covered in requests for changes and improvements. When I received this part I had to put it aside for a day until my heart stopped racing at the amount of work I needed to do in a short time span. I got through this phase with much hair pulling and exhaustion and sent it off with the kind of relief I used to feel in college after finals were over.

Ah, peace. Nope, here come the galleys. Now is the time to go through the book, page by page, looking for any little typo, misspelled word, anything at all that is less than perfect. No pressure here, though. This is also where the author prays no larger errors are found, because changing them at this point is a risky move. It has to go into production very soon.

While all this is going on, there's also promotion. In my fantasy world as an unpublished author I thought one went to some book signings and that was about it. In my real world there is a long list of interviews, online chats, and a plethora of other time-consuming activities an author must do to advertise each release.

Still, even with all this, I absolutely love writing fiction, especially fiction about the horse world. I have a genuine affection for the characters, both magical and mortal, in NEVER TRUST A MATCHMAKING WITCH. I hope you enjoy them as well.

Ah, well, the autumn hack will have to wait. I may indulge in a long, hot bubble bath when today is done with a book by one of my Equestrian Ink buddies!

Cheers,
Mary

www.marypaine.com